Saturday evening, long after I stopped rereading chapters of my new book and feeling nothing, I began to think that what I need is something to stimulate me. I thought of getting drunk even though I don’t drink (since 2003). I toyed with the idea of drugs even though I haven’t done any since right after college. I thought of cutting even though I’ve resisted since 1995. I then thought that perhaps the problem is that since the pandemic, I haven’t been able to go to theatre or ballet; both often offer moments that touch my heart.

Girl left behind the night by Yoshitomo Nara
Girl left behind the night by Yoshitomo Nara. This was one of the pieces I loved most. The photo doesn’t do it justice, the piece shimmers and the background is made up of so many colors.

I slept thirteen hours and when I woke at 10:30 a.m., I played Mozart’s Requiem, hoping for inspiration. Later, I drove up to Los Angeles to LACMA (Los Angeles County Museum of Art) to see the Yoshitomo Nara exhibit. I love his work and hoped seeing it in person would help me feel again. The exhibit was impressive as well as immense. I stared at some of the pieces for a long time, and sometimes I could feel my emotions trying to surface, but they never fully got there, even when I admired what I was looking at. I tried talking to Orly about some of the pieces, but it felt like I was trying too hard.

It was a long drive home because of the traffic and the disappointment. But it made me realize that maybe the problem isn’t the manuscript; the problem is me. I think my heart is asleep, and I won’t be able to feel what I had previously felt while rereading my chapters until it wakes up.

I put my copy of The Keys to the Kingdom by Elliott Downing on my desk to read today as it had moved me when I read it before.

Book Cover The Keys to the Kingdom by Elliott Downing
The Keys to the Kingdom by Elliott Downing

This post isn’t about Mozart or Nara not providing the stimulation I’m looking for. They’re amazing. Everyone knows that. As I said, the problem is me. I’m thinking it’s going to require an immersion into piles of beautiful art to get that alarm clock to go off. Mozart, Nara, Downing…the list will have to keep building until my heart wakes up or I think of something else. Maybe I need to adjust my meds. Maybe I need to travel. Maybe I need to fall in love. Whatever it is, I just hope I begin to feel something soon. Until I do, I don’t know if there is any point in me rereading.

Maybe I should just stop looking back at what I’ve written and just start writing again from where I left off.

I don’t know. I’m lost. I’m confused.

I see my shrink in a few hours. I doubt she’ll have the answer, but I think she’ll be happy that I’m trying and that my efforts don’t involve drinking, drugs, or razor blades.    

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Yesterday I finished reading Native Son by Richard Wright. It was difficult to read because of the blatant racism depicted on so many levels and I know that the depiction was accurate. I believe America has made progress since the release of that book, but know we still live in a racist society. Worse I know that many people in America today look back at how things were in that book as favorable and as a time they’d like to get back to. I believe those conditions are included for many when they don Make America Great Again caps.

As for the writing of the book, what struck me as profound was that in its four hundred plus pages, there were very few plot points in the book. Very significant things occurred but in terms of plot points, they were limited in a book of this length. And I see that allowed for the genius of the book. The majority of the text related the internal thoughts of the point of view character, Bigger Thomas, and the subtext of the actions that surrounded him.

With Orly Bialek, I try to devote a lot of her narration to her private thoughts, but someday I would like to write something that really plunged so deeply into one’s thoughts (perhaps even my own) that the thoughts themselves become the true story. But that is hard to do. It is not as easy as just sticking to an internal monologue. It has to be understandable, relatable, and still possess the things a story requires—a progression of character, a movement of circumstances, a reckoning, a realization, a change. I referred to this as the genius of Native Son and that is what it is.

Native Son by Richard Wright

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