In my last post I mentioned a screenplay I was thinking of novelizing. Well, guess what? That’s what I’ve been doing every day since January 7. I wrote the screenplay in 2006 while I was in the Professional Program in Screenwriting at UCLA. The screenplay was titled Exhume. I toyed around with renaming it and did rename it when I began the novel version, but I have since returned to the title Exhume. It’s about a string quartet who heads out to a remote location in Amish country to work on new music. There they do something they shouldn’t, and all hell breaks loose. The screenplay received an honorable mention in the annual competition at the end of the UCLA program. I thought it worked well as a screenplay, but we’ll have to see about the novel version. It might be too early to call it a novel. At the rate I’m going, it’s feeling more like novella length. I’m already appreciating getting to explore my main character more deeply writing it as fiction than I could as a screenplay. I hope I’ll finish it this year and plan to send it out to agents in the hopes of traditionally publishing it.

Lately, I’ve been on a reading streak where I’ve been reading very good books. Right now, I’m reading War and Peace and To Live by Yu Hua. A couple weeks ago I finished reading For Whom the Bell Tolls and was in awe for many reasons. I’ve also been reading the manga series Tokyo Tarareba Girls by Akiko Higashimura (my crush) which has been a lot of fun but whose viewpoints I’m often surprised by.

Two days ago, marked one year of being off social media. I don’t feel lacking because of it other than wondering if I’ve missed any messages from readers, but those are rare.

Well, that’s basically all I can think of mentioning. I hope you’re well and reading something really good.

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Bulletin Board of Notecards
Three stories in notecards.

I know my last two blog posts suggested I was leaning toward writing a novel version of Filming Tara Raikatuji, but I no longer think it’s going to be my next project. I took six days off from my day job, with the intention of resting before my busy fiscal closing period. On Thursday I mapped out the three stories I’ve been kicking around in my head using note cards to identify the major beats of each story. I typically lay out six beats per story. The stories were Filming Tara Raikatuji, Forever Candy, and something I for now just refer to as Candela. The Candela story has two rows of cards because there are two parallel stories in it. I pinned them to my bulletin board but ran out of pushpins. I don’t know how that happened. I’ve had many more cards on this board before. Anyhow, I felt good after pinning the cards up because it told me I did have things I’d be able to write from beginning to end. In general, I won’t start writing until I know my beginning and ending.

I spent the rest of the day and Friday evaluating which of the three stories I should pursue, and I landed on Forever Candy. It’s the least brave story to write because it’s the least personal, but I chose it for two reasons. The first is that I’ve been worrying about what writing I can share if I continue in this creative writing program at UCLA Extension, because it’s online, and so the instructor and students are all faceless and I don’t find myself getting to know them. I realized that it’s difficult for me to share drafts of things that are very personal with people I don’t know. The second reason is that it’s my goal to traditionally publish my next book, and I think Forever Candy is the easiest to explain and the most marketable.

Saturday, I wrote a prologue for Forever Candy. It was only five hundred words, but it was a beginning, and I’m still happy with how it came out. Yesterday, I pushed myself to shift settings and begin the first chapter. After a couple hours, I only settled on the first three sentences—32 words. But it’s a start. I’m a little intimidated to embark on this book because I’m writing in third person, which I don’t typically do. I also have a major character who’s male, something else I’m not accustomed to if I’m not that male, and especially after spending the last eight years writing Orly Bialek.

But hey, the point is, I began something I feel like I might be able to write all the way to its ending. As always happens at the beginning of any writing project, I think I’ll be able to write this story quickly, in this case, a year. If history is any indication, it’ll likely be at least two years. At least I’m writing again. Yay me.

Okayo, my Love Village favorite.
Okayo, my Love Village crush.

On a totally unrelated note, can I mention just how much I love the new show on Netflix, Love Village? It’s a more mature version of Ainori Love Wagon, which I absolutely loved and made me cry more than any other show I’ve watched. Love Village is making me gush buckets too. If I have any influence over my readers, I highly recommend.

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It’s been two and a half months since my last blog post. In it, I announced I had finished the first full draft of Scribbles of the Empress and sent the final pages to my beta readers. As I revise heavily as I write, I believed my period of rewrites would be brief—two months—once I received feedback on the last chapters. At the end of May, I took a week off work to really push hard to complete my rewrites. I had originally booked an AirBnb in Portland for solitude and vegan food, but after flying to Colorado at the beginning of May for a work conference, I was too stressed to travel again and so I canceled it. Instead, I planned to rent a desk in a communal office during the week. I wrote there on Monday and Tuesday and got a lot of good work done. Daily parking cost more than the desk and the whole thing felt expensive, so on Wednesday, I decided I would write at Starbucks. The lobby to my usual Starbucks happened to be closed that morning, so I went to my second Starbucks, where to my surprise, an Instagram crush walked in for her morning coffee. I had problems concentrating in public, which is unusual. Maybe it only felt that way after the level of concentration I had while writing at that office. I would have gone back to the office for Thursday and Friday, despite the cost, but chose that Starbucks instead hoping my crush would come in again. She didn’t. But by Sunday, I did what I set out to do with my time off—I finished my rewrites.

Three of my beta readers are reading the entire manuscript as a whole now. Previously, they’d only ever seen it in batches, and that was over a span of thirty-three months. I’m still waiting to hear back from them. I know two of them have been busy with family commitments and the third can’t start reading until the NBA championships are over. I don’t expect anything major to come back, so I hope my next round of revisions will be minimal. I was hoping to give pages to my sister for editing by July 1, but now I think that’ll be delayed.

I’ve been talking to my psychologist about what to do now that the manuscript is pretty much out of my hands. I’ve decided not to jump into writing something new immediately. I’m going to turn my attention to trying to learn how to promote my work. I’ve been making an effort on Instagram, creating images on Canva that incorporates quotes from the new book. I’m also starting to look into TikTok because it seems like people can build large followings quite quickly. I had a stroke of luck last week when a magazine learned of my upcoming book release and asked for an interview. But beyond promotion, I told my psychologist that I want to do something, other than reading, with all this free time I have now. I even said I wanted to do something fun. So I’m thinking about taking Japanese language lessons, painting, and learning how to swim, among other things.

Instagram Image
One of my Canva creations for Instagram

My day job is really bringing me down though. I feel it’s actually affected my health as my blood pressure has recently increased and I’m now taking beta blockers as a result. I didn’t even go to the office today or yesterday because I felt too depressed about it. Yesterday, I worked from home, but today, I only replied to emails in the morning. I wish I could quit, but if I can’t support myself by being an author, I don’t know what other kind of job I’d be willing to do that paid enough. On top of this, I’m still feeling sad with letting go of Orly, now that her trilogy is complete. She’s been my constant companion since 2014. My days feel emptier without her.

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