An image preview of Entry 16
An image preview of Entry 16

Orly’s Journals, my serialized online novel through Patreon is going quite well. I have eleven subscribers already and am hoping for more. I want more subscribers to increase discussion among the readers regarding Orly’s new ongoing story. I’ve been posting a journal entry each Thursday. This Thursday will be the be the sixteenth post. To keep up with the demands of serialization, I’m nine entries ahead in writing and am currently working on Entry 25.   

In addition to the journal entries, I’ve been posting image-based previews, solicitations from readers for character names and plot points, and my favorite—what I’m calling Scribbled Secrets where I post trivial information about Orly’s universe, inside and outside her trilogy, that the reader is likely unaware of. It’s fun to tell mine and Orly’s secrets.

As an independent author, I do have a small budget for marketing and promotion. But because that budget is small, I must be very selective when choosing what to throw my money at. Should I spend it on Amazon book ads? Instagram sponsored posts? Book review services? I’ve tried various approaches with limited success. But I feel like I should be more active in my attempt to increase awareness about Orly’s online journal and her book series. If anyone has any suggestions, my ears are open.

Other than that, I recently went through a minor writing slump where I was just spinning my wheels on the same entries. I think, at one point, I was only five entries ahead of what had already posted. I’m sure some, if not most, was due to depression. But I feel like I’ve gotten back up and am enjoying the substance and pace of what I’m writing again. If you’re one of the eleven people subscribed, I hope you’re enjoying reading the current work as much as I am enjoying writing it.

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In my last post I mentioned a screenplay I was thinking of novelizing. Well, guess what? That’s what I’ve been doing every day since January 7. I wrote the screenplay in 2006 while I was in the Professional Program in Screenwriting at UCLA. The screenplay was titled Exhume. I toyed around with renaming it and did rename it when I began the novel version, but I have since returned to the title Exhume. It’s about a string quartet who heads out to a remote location in Amish country to work on new music. There they do something they shouldn’t, and all hell breaks loose. The screenplay received an honorable mention in the annual competition at the end of the UCLA program. I thought it worked well as a screenplay, but we’ll have to see about the novel version. It might be too early to call it a novel. At the rate I’m going, it’s feeling more like novella length. I’m already appreciating getting to explore my main character more deeply writing it as fiction than I could as a screenplay. I hope I’ll finish it this year and plan to send it out to agents in the hopes of traditionally publishing it.

Lately, I’ve been on a reading streak where I’ve been reading very good books. Right now, I’m reading War and Peace and To Live by Yu Hua. A couple weeks ago I finished reading For Whom the Bell Tolls and was in awe for many reasons. I’ve also been reading the manga series Tokyo Tarareba Girls by Akiko Higashimura (my crush) which has been a lot of fun but whose viewpoints I’m often surprised by.

Two days ago, marked one year of being off social media. I don’t feel lacking because of it other than wondering if I’ve missed any messages from readers, but those are rare.

Well, that’s basically all I can think of mentioning. I hope you’re well and reading something really good.

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My Favorite Reads of Another blog lapse. I haven’t posted here since August. This is only my fifth post of 2023 and it’s the last day of the year. Maybe it seems remiss of me not to have posted since August, but I haven’t had anything noteworthy to mention. Since that last post, I’ve just been spinning my wheels, going in circles, and getting nowhere. I tried working on I Was Mistaken, like I mentioned, but it became painful to write. My shrink said a little discomfort is okay, but what I was doing was retraumatizing myself. I then went back to writing about Tara Raikatuji but couldn’t find her voice and so I completed another lap around my circle of stories by returning to Forever Candy. I struggled with the same point of view problems I’ve always had with that story, and my last attempt read back so lifelessly that it made me think of a desiccated grasshopper, if that’s a thing. This week, I pulled out a screenplay I wrote in 2008 about a cellist. It’s kind of a haunted house story. I’m kicking around having a go at novelizing it and it feels fresh because it’s not yet part of my traditional merry-go-round of stories that I tinker with then give up on. I don’t think it’s going to go anywhere though.

So that’s what I’ve been doing since August, even though I’ve written every day for the past 48 days. I’ve been forcing myself to write for a minimum of ten minutes a day to try to get something going. Though I haven’t made any progress on any of my projects, forcing myself to write like this has at least awakened whatever it is that allows me to daydream. I’m hoping this will soon lead me to finding solutions with my current stories or thinking of something entirely new.

I’m going to remember 2023 as the year I had writer’s block. I’ll also remember it as the year I read All the Lovers in the Night and Kokoro. It’s also the year I deleted Twitter, and deactivated my author Instagram and TikTok. I decided only to keep my personal accounts (@deadponies). My author accounts felt like a collection of promotional posts for my books rather than showing anything about me as a person. Hopefully, the posts about me are more interesting than my advertisements.

I really hope I get through this writer’s block soon. I can’t have another year like this. I was thinking about pretending I got an agent and a book deal so I can give myself a deadline to finish something—anything.

Goodbye 2023.

Hello 2024.

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In my last post, way back in May, I said I chose to write and began writing Forever Candy as a novel. Today, in August, I’m letting you know I stopped. It fizzled out weeks ago. The voice I was writing in just fell flat. It didn’t feel authentic. I considered starting over in a different voice, but right now, I think I must walk away from it. Maybe someday I’ll try again.  

I finished my first UCLA Extension Creative Writing class, but I dropped the second class.

In the weeks since I stopped writing, I’ve become depressed. I feel adrift and without purpose. But I’ve been putting in a lot of effort in my sessions with my psychologist. I recently began considering writing about my childhood best friend. In the preceding post, titled Pushpins, our story is laid out in the fourth row of note cards and is something I intended to weave into another story I refer to as Candela.

Writing about my childhood best friend is something I think I can only write privately, without the intention of anyone ever seeing it. I think it’s essential in order to tell our story honestly. 

So, for the readers I do have, you may not get anything new from me for a long while.

Delete TwitterI deleted my Twitter accounts. I think Facebook will be on the chopping block next. Social media has proven to be more detrimental than beneficial for me, and after being off it for over 180 days now, the feelings of FOMO rarely surface.

I feel like disappearing. 

I told my psychologist that by my next session I would open a new Scrivener document and save it for the new writing project. That next session is tomorrow. I’ve been struggling with what to save it as for a working title. I could stick with calling it Candela, but I feel like I should start fresh. I’m leaning toward saving it as I Was Mistaken.  

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I haven’t blogged in a while because not much has been going on. The three beta readers who planned to do a full read couldn’t meet my deadline so I had to scrap that extra read after a few weeks and turn the manuscript over to my sister for editing. We fell a little behind schedule as I got the pages to her later than expected and as I only allowed four weeks for my sister to get through the manuscript and she needed a couple weeks more as she has a stressful day job just like I do. But I received the manuscript back and accepted most of the revisions. I then gave the manuscript to my mother, who has been dying to read it, for one last proofreading, which she finished on Friday. Today, I finished writing the Thank You page. So after I post this, I’ll turn the final version over to my interior designer to complete the typesetting and layout. I’ll also be ready to send it to my audiobook narrator, Laura Bannister. If everything goes well, I think the print book and audiobook will release in November.

rtomoguchi TikTok page
Don’t be too blown away by the size of my following.

As far as my marketing effort goes, I didn’t make much progress with all the time I had while waiting to get the manuscript back. My efforts on Instagram fizzled and I’m making more of an effort on TikTok, but even that’s inconsistent as I have a hard time coming up with content. I had some pins made using the design from my favorite tattoo—a scribbled heart with a banner that has the names Yelena and Orly on it. I’ve sent a few of them out to readers hoping it’ll be a nice surprise. I’m also having bookmarks made, but I don’t have much visual sense so I’m hoping my designer can make something nice out of my ideas.

I hired a programmer to move my author website from tomoguchi.com to rtomoguchi.com. I did this to better match my social media handles.

I didn’t pick up any new hobbies during my time off from writing either. Instead, I’ve been reading and watching reality TV. I fell in love with this show called Ainori Love Wagon, but already watched all the available episodes. I hope it comes back for more seasons.

I’m stalling from posting this. Part of that is because I’m hoping I’ve forgotten something that I can mention to make my life sound more interesting. The other part is because I feel nervous to send off the manuscript for production. To assert that I am absolutely done with it, after three years of work, feels so final. I wish the moment was more unique, but here I am, sitting in my usual seat, at my usual Starbucks, on my second drink.

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It’s been two and a half months since my last blog post. In it, I announced I had finished the first full draft of Scribbles of the Empress and sent the final pages to my beta readers. As I revise heavily as I write, I believed my period of rewrites would be brief—two months—once I received feedback on the last chapters. At the end of May, I took a week off work to really push hard to complete my rewrites. I had originally booked an AirBnb in Portland for solitude and vegan food, but after flying to Colorado at the beginning of May for a work conference, I was too stressed to travel again and so I canceled it. Instead, I planned to rent a desk in a communal office during the week. I wrote there on Monday and Tuesday and got a lot of good work done. Daily parking cost more than the desk and the whole thing felt expensive, so on Wednesday, I decided I would write at Starbucks. The lobby to my usual Starbucks happened to be closed that morning, so I went to my second Starbucks, where to my surprise, an Instagram crush walked in for her morning coffee. I had problems concentrating in public, which is unusual. Maybe it only felt that way after the level of concentration I had while writing at that office. I would have gone back to the office for Thursday and Friday, despite the cost, but chose that Starbucks instead hoping my crush would come in again. She didn’t. But by Sunday, I did what I set out to do with my time off—I finished my rewrites.

Three of my beta readers are reading the entire manuscript as a whole now. Previously, they’d only ever seen it in batches, and that was over a span of thirty-three months. I’m still waiting to hear back from them. I know two of them have been busy with family commitments and the third can’t start reading until the NBA championships are over. I don’t expect anything major to come back, so I hope my next round of revisions will be minimal. I was hoping to give pages to my sister for editing by July 1, but now I think that’ll be delayed.

I’ve been talking to my psychologist about what to do now that the manuscript is pretty much out of my hands. I’ve decided not to jump into writing something new immediately. I’m going to turn my attention to trying to learn how to promote my work. I’ve been making an effort on Instagram, creating images on Canva that incorporates quotes from the new book. I’m also starting to look into TikTok because it seems like people can build large followings quite quickly. I had a stroke of luck last week when a magazine learned of my upcoming book release and asked for an interview. But beyond promotion, I told my psychologist that I want to do something, other than reading, with all this free time I have now. I even said I wanted to do something fun. So I’m thinking about taking Japanese language lessons, painting, and learning how to swim, among other things.

Instagram Image
One of my Canva creations for Instagram

My day job is really bringing me down though. I feel it’s actually affected my health as my blood pressure has recently increased and I’m now taking beta blockers as a result. I didn’t even go to the office today or yesterday because I felt too depressed about it. Yesterday, I worked from home, but today, I only replied to emails in the morning. I wish I could quit, but if I can’t support myself by being an author, I don’t know what other kind of job I’d be willing to do that paid enough. On top of this, I’m still feeling sad with letting go of Orly, now that her trilogy is complete. She’s been my constant companion since 2014. My days feel emptier without her.

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Yesterday I finished the first full draft of Scribbles of the Empress. I started writing it 1,008 days prior, before Covid was a global pandemic. That’s thirty-three months, many of them devoid of word count because I struggled a lot with my own depression while writing this book. It ended up being 108K words, so longer than The Scribbled Victims, but shorter than Scribbling the Eternal.

I’m not sure if this book means more to me than the others, but it certainly means something different. Many of my own struggles with grief and suicide are expressed openly through Orly in this final installment. There’s a section I discarded where Orly addresses her audience and says:

Earlier I said the war against me must seem anticlimactic. It was. But this wasn’t a war story. It’s a story about mourning and suicide. Perhaps it is even about suicide because of the inability to stop mourning. Late in these pages, I realized this is ultimately what all my pages have been about, ever since Yelena died.

I left those words of Orly’s out because it didn’t fit well with the text around it, but also because it breaks the fourth wall, which was something she did in The Scribbled Victims but I forgot to maintain the convention in Scribbling the Eternal.

I just emailed 72 pages to my beta readers, who have remained committed to this book since its beginning and whose help I am very fortunate to have. I’ll begin my rewrites now, hoping they’ll only take a couple of months, as I rewrite heavily as I go. Then editing and proofing. Then book design, typesetting, and audiobook recording. I’m aiming for an October release.

I hope my readers will love the book and how Orly’s series ends.

IG Post for Ashley
Though I’ve been off social media for 142 days, I made this while writing this month. Maybe I’ll post it to my IG. The words are part of the dedication I’m working on for Ashley Vargas.

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My best friend, Amirah, sent me a Facebook memory yesterday of something I had posted five years earlier. I was shocked when I read it. The post began with this sentence:

I’m trying very hard to love my book again.

Facebook MemoryI wrote that in 2016. I was talking about The Scribbled Victims. In my post on my author blog from May 13 of this year, I wrote this about Scribbles of the Empress:

True, as time passes, I tend to become less satisfied with my work, but that’s never happened with a work-in-progress; it happens months after finishing.

My memory, as it often does, failed me, and I see now, that that is not true. This experience of not loving my work-in-progress has happened before. I found proof of this while reading through posts on my personal blog from June 2016 and I found this post from June 6:

Blog Post June 6, 2016

Throughout that month, I wrote about feeling depressed and demoralized with my work-in-progress. I even posted about trying to immerse myself in beauty, looking for art to inspire me, just like I’m doing right now. (I’m even going to an art fair after I post this.)

Knowing that I’ve gone through this struggle before makes me hopeful, because I certainly got through it, for I finished writing The Scribbled Victims, and am still mostly happy with it today, and it led to Orly becoming such a big part of my life. I don’t remember how I got through it. (I didn’t even remember it happening.) Maybe it just passed. But if there were things I had done to come out of it and love my work-in-progress again, I can probably find clues by reading July, August, September, and so forth in my personal blog, until the book was released in February 2017.

I feel indebted to my BFF. Not just for sharing that Facebook memory with me, but because she has been there for me throughout this difficult period and understands how much it’s been hurting me.

Here’s to hope that I will be writing again soon and loving my work again.

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I’ve been reading this book on happiness. One of the things it mentioned was doing things for yourself. Intrinsic motivations instead of extrinsic ones. My psychologist (whom I discussed this with today) has been trying to get me to focus on this for months; I feel like I disappointed her when I told her that this book (which she pointed out wasn’t written by a psychologist) struck a chord with me. I think I understood what she was saying in the months before, but I think now something finally sunk in. When I think about book sales, number of downloads, reviews, email subscribers, social media followers, and needing a day job, I feel bad about myself. But today, while sitting in my car, drinking chai, I realized that if I stripped everything away but the books themselves, and just imagined myself sitting with them all alone, I’m already happy.

I’ve said before that when I look back at my work I always find things I’d like to rewrite, but on a whole, with Orly’s two books, I’m pleased with how they turned out and feel I accomplished what I wanted in writing them. And with Orly’s third book, I already feel happy with it, even though it’s not even half written, because I like how the story is building, where it is going, and where I believe it will end up. It’s when I’m not writing that I start thinking about external validations, like the ones I listed above. I have to learn to stop going there and instead run to that place where it’s just me and my books.

(For some reason, today, that imaginary place is red and barren, like what I remember of a Thomas Ligotti story I read so many years ago.)

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