ChatGPT drawing of Orly Bialek and Yelena Solodnikova
ChatGPT’s rendition of Orly and Yelena

I’m still at it—writing Orly’s Journals. I had another slump like the one I mentioned in my last blog post, where I was stuck on a single entry for a couple weeks. I’m now only seven entries ahead. But with the time I’ll have off for the holidays, I’m hoping I’ll get caught up, if not get ahead. So far, all the journal entries total just under 41K words. That’s half the length of The Scribbled Victims, and I only began writing in April. Despite my depression being very bad and work being tough in recent months, I continue to sit down to write every single day. Of course, some days are more productive than others. My best days usually involve activating my Freedom internet blocker.

I recently started asking ChatGPT for author advice on how to grow my readership. It’s given me tips I’ve heard before, but it also suggested things I hadn’t heard and never considered. To my surprise, it knew about The Scribbled Victims. It got some plot points wrong and knew less about the subsequent books, but I was still amazed it had a general understanding of the characters and storyline. Because one of the things ChatGPT suggest I do is hold a fan art contest, today I prompted it with: “Can you create a picture of Orly Bialek and Yelena Solodnikova?” What it returned was more than I expected, although I think it still doesn’t understand Orly’s scribbles. Still, it made me feel my books are more recognizable than I thought. Maybe I’m fooling myself though—maybe ChatGPT knows I’m the author and is just being nice to me. If anyone reading this post uses ChatGPT, I’d be very interested to know if it recognized Orly or Yelena or The Scribbled Victims for you.

Tomorrow is Thanksgiving. I’m going to Shojin in Culver City for a vegan Thanksgiving omakase dinner. Table for one. That’s my life. On Monday, my shrink and I talked about loneliness, and how, because of wanting to write, I often make choices that result in being alone even though I feel lonely. What to do?

On Patreon last week, I asked readers which characters they’d like to see more of in Orly’s Journals. To my surprise, the most votes went to Ji’Indushul. Because of this, my next “Scribble Secret” post on Friday will be about that character.

So that’s basically all that’s going on with me. With so much nothing going on, it must be no surprise that this is only my fifth blog post for 2024. LOL.

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I’m still working on turning Exhume into a novel. I’ve been at it for seventy days straight. I’m making incremental progress, averaging 130 new words a day. The more I work on it though, the less sure I feel I want to show it to anyone. To be honest, the more I work on it, the less excited I feel about it. This might be because I’m struggling to develop the characters beyond the screenplay version. It might also be because I’m writing in third person, present tense, which I’ve never done before. I chose this as it felt closest to the way a screenplay is written.

Recently, I had this thought of writing Forever Candy from a different point-of-view. The last time I tried writing it, I was writing from Candy’s POV, in first person. But now I’m thinking of writing it from Burrows’ POV. I’ve tried that before, but only in third person. For some reason it never occurred to me to write him from first person. I wrote a little, just to try it out, and I got really excited about it.

I talked to my shrink about this quandary of mine—which story to pursue now. Even though I’m struggling with the Exhume story, she and I both belief that the regularity in which I’ve been writing it has really improved my mood and helped pull me out of my last depression. We’re wary of me walking away from that. On the other hand, I’m so excited to write this other story right now, that I feel like I should seize the opportunity of inspiration.

My shrink suggested I work on both, simultaneously. I can keep making my little daily progress on Exhume, while also embracing the excitement I feel with writing a different book. When she said it, it baffled me because I’ve never written two books at once. When I wrote The Last Midnight, feeling inspired, I had to put Scribbles of the Empress down completely, even though I was already 40,000 words into it, and I only picked it back up after I had finished.

So, I guess I’m going to give it a go, writing two books at once. Wish me luck.

Yellowface by R.F. KuangI’ve been going to the gym regularly and counting calories on MyFitnessPal because my doctor told me I really need to lose weight. In twelve weeks, I’ve lost 18 lbs. While on the treadmill last week, I listened to Yellowface by R.F. Kuang. A friend from Silent Book Club told me she had read it. She mentioned what a despicable character the POV characters is, but I really enjoyed the character and found myself relating to her. This wasn’t because I want to or ever would plagiarize another author (but if I did, it would be Kwon Yeo-sun and her book Lemon, LOL), but because, as a mediocre writer, I know all too well what it feels like to be jealous of writers who have more talent than I’ll ever have. While listening to Yellowface, I was really impressed with and jealous of the author with how smart and sharp her writing is. She’s super gifted.

I don’t know if it was that book or other books I’ve read recently (For Whom the Bell Tolls, The Road, All the Lovers in the Night), but I’ve glimpsed the dawning of me giving up as a writer, feeling like I’m just not talented enough to write something worthy of the readership I daydream of having. Mediocrity is a dreadful thing to feel.

I know it’s not over just yet though. I’m going to try to keep going, fueled by my hopes that Forever Candy will be a good book. Again, wish me luck.

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My Favorite Reads of Another blog lapse. I haven’t posted here since August. This is only my fifth post of 2023 and it’s the last day of the year. Maybe it seems remiss of me not to have posted since August, but I haven’t had anything noteworthy to mention. Since that last post, I’ve just been spinning my wheels, going in circles, and getting nowhere. I tried working on I Was Mistaken, like I mentioned, but it became painful to write. My shrink said a little discomfort is okay, but what I was doing was retraumatizing myself. I then went back to writing about Tara Raikatuji but couldn’t find her voice and so I completed another lap around my circle of stories by returning to Forever Candy. I struggled with the same point of view problems I’ve always had with that story, and my last attempt read back so lifelessly that it made me think of a desiccated grasshopper, if that’s a thing. This week, I pulled out a screenplay I wrote in 2008 about a cellist. It’s kind of a haunted house story. I’m kicking around having a go at novelizing it and it feels fresh because it’s not yet part of my traditional merry-go-round of stories that I tinker with then give up on. I don’t think it’s going to go anywhere though.

So that’s what I’ve been doing since August, even though I’ve written every day for the past 48 days. I’ve been forcing myself to write for a minimum of ten minutes a day to try to get something going. Though I haven’t made any progress on any of my projects, forcing myself to write like this has at least awakened whatever it is that allows me to daydream. I’m hoping this will soon lead me to finding solutions with my current stories or thinking of something entirely new.

I’m going to remember 2023 as the year I had writer’s block. I’ll also remember it as the year I read All the Lovers in the Night and Kokoro. It’s also the year I deleted Twitter, and deactivated my author Instagram and TikTok. I decided only to keep my personal accounts (@deadponies). My author accounts felt like a collection of promotional posts for my books rather than showing anything about me as a person. Hopefully, the posts about me are more interesting than my advertisements.

I really hope I get through this writer’s block soon. I can’t have another year like this. I was thinking about pretending I got an agent and a book deal so I can give myself a deadline to finish something—anything.

Goodbye 2023.

Hello 2024.

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In my last post, way back in May, I said I chose to write and began writing Forever Candy as a novel. Today, in August, I’m letting you know I stopped. It fizzled out weeks ago. The voice I was writing in just fell flat. It didn’t feel authentic. I considered starting over in a different voice, but right now, I think I must walk away from it. Maybe someday I’ll try again.  

I finished my first UCLA Extension Creative Writing class, but I dropped the second class.

In the weeks since I stopped writing, I’ve become depressed. I feel adrift and without purpose. But I’ve been putting in a lot of effort in my sessions with my psychologist. I recently began considering writing about my childhood best friend. In the preceding post, titled Pushpins, our story is laid out in the fourth row of note cards and is something I intended to weave into another story I refer to as Candela.

Writing about my childhood best friend is something I think I can only write privately, without the intention of anyone ever seeing it. I think it’s essential in order to tell our story honestly. 

So, for the readers I do have, you may not get anything new from me for a long while.

Delete TwitterI deleted my Twitter accounts. I think Facebook will be on the chopping block next. Social media has proven to be more detrimental than beneficial for me, and after being off it for over 180 days now, the feelings of FOMO rarely surface.

I feel like disappearing. 

I told my psychologist that by my next session I would open a new Scrivener document and save it for the new writing project. That next session is tomorrow. I’ve been struggling with what to save it as for a working title. I could stick with calling it Candela, but I feel like I should start fresh. I’m leaning toward saving it as I Was Mistaken.  

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It’s been two and a half months since my last blog post. In it, I announced I had finished the first full draft of Scribbles of the Empress and sent the final pages to my beta readers. As I revise heavily as I write, I believed my period of rewrites would be brief—two months—once I received feedback on the last chapters. At the end of May, I took a week off work to really push hard to complete my rewrites. I had originally booked an AirBnb in Portland for solitude and vegan food, but after flying to Colorado at the beginning of May for a work conference, I was too stressed to travel again and so I canceled it. Instead, I planned to rent a desk in a communal office during the week. I wrote there on Monday and Tuesday and got a lot of good work done. Daily parking cost more than the desk and the whole thing felt expensive, so on Wednesday, I decided I would write at Starbucks. The lobby to my usual Starbucks happened to be closed that morning, so I went to my second Starbucks, where to my surprise, an Instagram crush walked in for her morning coffee. I had problems concentrating in public, which is unusual. Maybe it only felt that way after the level of concentration I had while writing at that office. I would have gone back to the office for Thursday and Friday, despite the cost, but chose that Starbucks instead hoping my crush would come in again. She didn’t. But by Sunday, I did what I set out to do with my time off—I finished my rewrites.

Three of my beta readers are reading the entire manuscript as a whole now. Previously, they’d only ever seen it in batches, and that was over a span of thirty-three months. I’m still waiting to hear back from them. I know two of them have been busy with family commitments and the third can’t start reading until the NBA championships are over. I don’t expect anything major to come back, so I hope my next round of revisions will be minimal. I was hoping to give pages to my sister for editing by July 1, but now I think that’ll be delayed.

I’ve been talking to my psychologist about what to do now that the manuscript is pretty much out of my hands. I’ve decided not to jump into writing something new immediately. I’m going to turn my attention to trying to learn how to promote my work. I’ve been making an effort on Instagram, creating images on Canva that incorporates quotes from the new book. I’m also starting to look into TikTok because it seems like people can build large followings quite quickly. I had a stroke of luck last week when a magazine learned of my upcoming book release and asked for an interview. But beyond promotion, I told my psychologist that I want to do something, other than reading, with all this free time I have now. I even said I wanted to do something fun. So I’m thinking about taking Japanese language lessons, painting, and learning how to swim, among other things.

Instagram Image
One of my Canva creations for Instagram

My day job is really bringing me down though. I feel it’s actually affected my health as my blood pressure has recently increased and I’m now taking beta blockers as a result. I didn’t even go to the office today or yesterday because I felt too depressed about it. Yesterday, I worked from home, but today, I only replied to emails in the morning. I wish I could quit, but if I can’t support myself by being an author, I don’t know what other kind of job I’d be willing to do that paid enough. On top of this, I’m still feeling sad with letting go of Orly, now that her trilogy is complete. She’s been my constant companion since 2014. My days feel emptier without her.

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Today is the last day of 2021 and I just finished writing for the day. I finished my rewrites on Chapter Twenty-One and Twenty-Two. I netted 8,406 words for December. More than usual, but much of that is due to winter break at my day job. Tomorrow, I plan to reread Eighteen through Twenty-Two, and then if satisfied, I’ll send them to my beta readers who haven’t received pages since April 30.

2021 Goodreads Reading Challenge
I completed my Goodreads Reading Challenge yesterday, with one day to spare. In 2022, I plan to reduce the number of books because there are some very long books I want to read including In Search of Lost Time.

After I finished Chapter Twenty-Two, I went on to write text that felt like a confession, with Orly telling her readers what she discovered these books are really about. It’s really a confession of ours. I don’t know if it will make it into the final draft, but I think my shrink will be glad that I’m writing about it because it may help me process my own suicidal feelings.  

Last night, I decided to remove the Soleil story from the book. Soleil is a diminutive finch Orly received among many other finches from Berthold. She was meant to parallel Orly amongst her coven, but as I near the end of the book, the payoff for it feels too on-the-nose. So even after I reach the final page of the full draft, I’ll have that to write out of the book. I’m not looking forward to it. Right now, my to do list of things to check before releasing the final draft is up to fifty-seven items.

I wrote the opening lines of this book on June 22, 2019. I didn’t think it would ever take me so long to write this book, but there were multiple long bouts of depression. I keep telling myself that it will come out in summer of 2022, but now I’m not even sure. I have to make sure there are no loose ends and I want it to be the best book it can be. Just writing about its release in this blog post I can feel my anxiety writing. I know I’ll release it, but I’m terrified.

At the same time, I’m afraid of finishing it but dreading it will never be finished.

I hope 2022 is a great year for you.  

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Vegan Corn Dogs
Vegan Corn Dogs

I finished writing the beginning of Chapter Eighteen, which begins the bridge between midpoint and climax of the book. This is always the hardest part of a story for me to write. Using handwritten notecards helped me organize it enough to get it done. Looking back, I feel like it shouldn’t have taken me so long to write so little (currently 1,138 words), but then I must remember depression and then it makes sense even though it’s still disappointing.

Last week I waited on hold with a suicide prevention chat line for twenty minutes before I gave up and logged out. I wanted to talk to someone, and I know talking about suicide makes the few friends I discuss it with sad and sometimes tearful, so I wanted to spare them.

I tried to be kind to myself over the weekend. I hung three paintings in my office. I drove to get the vegan corn dogs I’ve been craving. I drove on side streets aimlessly and skipped to songs I could sing to. I drank hot chocolate.

I had a list of things I wanted to talk to my psychologist about today, but she called out sick, so I’ll have to wait until tomorrow.

I’m glad I finished the beginning of that bridge. Going on from there should all come easier unless, of course, the depression…

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I got a tattoo of Audrey Hepburn

What can I say? I didn’t recover like I hoped. If I was coming out of my depression, I never fully got there. I’m not at my worst, but

I’m still depressed, and I keep thinking suicide…When you’re done with this book, it’ll be okay to let go. My shrinks know that’s what I’m feeling and we’re working on it, hoping to find something to occupy me after I’m done.

I’m moving forward in the book, but at a snail’s pace. I reverted to handwriting on notecards to try to map out Chapter Eighteen. It feels different, not staring at a computer. I don’t know why this chapter is so difficult and I have no idea when I’ll finish it. My daily post-it note goals are far from ambitious; if they were, I know I’d be setting myself up for certain failure; I’m failing more often than not as it is.

Yesterday, I told my psychologist that sometimes thinking of suicide feels like a relief. Sometimes I even feel excited about it. She asked me what I’d be relieving myself from. I said, “Depression and loneliness.” I think it made sense to her. She nodded. I’m going to be installing an app she recommended that will help me remember our plan if I ever get close—who to contact and such. It’s in my to-do list to install today.

I don’t know if anyone reads these things. If anyone does, posts like these are not cries for help. I have therapists who are very good to me, and I have a small but strong network of friends I can reach out to. I guess I’m just writing things down for those who are wondering when the hell the book will be finished and what led up to my own ending if indeed, I end up having one.

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It’s been seventy-eight days since my last author blog post, and I don’t know how to begin. My thoughts are scattered, so please bear with me.

Reading on paper at Starbucks
Rereading on paper at Starbucks Store 20537

I haven’t had a significant daily word count since May 2. Since then, I’ve posted here about the depression I’ve fallen into, my struggles to pull myself out of it, no longer loving my book, and feeling disconnected with Orly. Most days since May 2, I haven’t even attempted to write. On July 3, I printed the seventeen chapters I had and decided to reread them on paper, hoping it would help me see my story in a new light and hopefully reengage with it. I didn’t make it through the rereading until yesterday, September 5.

But something did happen on August 29. That morning I could only get myself to read the first page of Chapter Sixteen, but I noticed I finally felt differently about it. It wasn’t a feeling of inspiration or reconnection as I hoped it would be—it was a feeling of distance. I was no longer hurting from it, and that felt familiar. It was as I had felt while writing Scribbling the Eternal.

For months I’ve been saying that I feel disconnected from Orly and feel lost because of it. And now I’m saying I feel a certain distance from her story and thereby feel closer to normal. It hasn’t been easy to reconcile how both could be true. But I know I’ve been hurting a lot while writing Scribbles of the Empress. I’ve felt isolated, lonely, self-destructive, and suicidal—all things that Orly is also feeling. With these shared feelings, how could we be disconnected?

There are depths of a depression so dark that you can only be there alone. Even those who can empathize, those who are also depressed, destructive, and suicidal, still have no place to be there with you. You’re so far gone that there, yours is yours alone. It was in that way I disconnected from her. In that way, I disconnected from everybody.

Making edits at the library
Making edits at the library

I am recovering from these depths. Maybe because of time. Maybe because of meds. Maybe because my shrink finally convinced me to try doing affirmations. In my resurfacing, I’m somehow establishing a division between myself and the book so that I don’t hurt so much that I can no longer write it. I love Orly, but we are not one. We cannot be so close that we destroy each other. We might destroy ourselves, but we should never destroy each other.

This is where I’m at right now. I don’t know if it will last or if I’m assessing things accurately and won’t come to different conclusions later. But I think I can move forward and write the next chapter. I will watch Orly go to Argentina, but I may not be able to go with her.

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Saturday evening, long after I stopped rereading chapters of my new book and feeling nothing, I began to think that what I need is something to stimulate me. I thought of getting drunk even though I don’t drink (since 2003). I toyed with the idea of drugs even though I haven’t done any since right after college. I thought of cutting even though I’ve resisted since 1995. I then thought that perhaps the problem is that since the pandemic, I haven’t been able to go to theatre or ballet; both often offer moments that touch my heart.

Girl left behind the night by Yoshitomo Nara
Girl left behind the night by Yoshitomo Nara. This was one of the pieces I loved most. The photo doesn’t do it justice, the piece shimmers and the background is made up of so many colors.

I slept thirteen hours and when I woke at 10:30 a.m., I played Mozart’s Requiem, hoping for inspiration. Later, I drove up to Los Angeles to LACMA (Los Angeles County Museum of Art) to see the Yoshitomo Nara exhibit. I love his work and hoped seeing it in person would help me feel again. The exhibit was impressive as well as immense. I stared at some of the pieces for a long time, and sometimes I could feel my emotions trying to surface, but they never fully got there, even when I admired what I was looking at. I tried talking to Orly about some of the pieces, but it felt like I was trying too hard.

It was a long drive home because of the traffic and the disappointment. But it made me realize that maybe the problem isn’t the manuscript; the problem is me. I think my heart is asleep, and I won’t be able to feel what I had previously felt while rereading my chapters until it wakes up.

I put my copy of The Keys to the Kingdom by Elliott Downing on my desk to read today as it had moved me when I read it before.

Book Cover The Keys to the Kingdom by Elliott Downing
The Keys to the Kingdom by Elliott Downing

This post isn’t about Mozart or Nara not providing the stimulation I’m looking for. They’re amazing. Everyone knows that. As I said, the problem is me. I’m thinking it’s going to require an immersion into piles of beautiful art to get that alarm clock to go off. Mozart, Nara, Downing…the list will have to keep building until my heart wakes up or I think of something else. Maybe I need to adjust my meds. Maybe I need to travel. Maybe I need to fall in love. Whatever it is, I just hope I begin to feel something soon. Until I do, I don’t know if there is any point in me rereading.

Maybe I should just stop looking back at what I’ve written and just start writing again from where I left off.

I don’t know. I’m lost. I’m confused.

I see my shrink in a few hours. I doubt she’ll have the answer, but I think she’ll be happy that I’m trying and that my efforts don’t involve drinking, drugs, or razor blades.    

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